Babette Mangolte Movies

  • 1978
    Water Motor

    Water Motor

    Water Motor

    01978HD

    A filmed record of a solo performance by American postmodern dancer and choreographer Trisha Brown. In order to better understand the dance, Mangolte...

    Water Motor
  • 1980
    The Cold Eye (My Darling, Be Careful)

    The Cold Eye (My Darling, Be Careful)

    The Cold Eye (My Darling, Be Careful)

    01980HD

    A “narrative” film centered on young artists living in New York City around 1979. The film is about a certain stage in the development of...

    The Cold Eye (My Darling, Be Careful)
  • 1973
    Calico Mingling

    Calico Mingling

    Calico Mingling

    01973HD

    Choreographed by american choreographer, Lucinda Childs, the film explores complex patterns that are created with the simple action of walking

    Calico Mingling
  • 2012
    Roof Piece on the High Line

    Roof Piece on the High Line

    Roof Piece on the High Line

    02012HD

    Trisha Brown original Roof Piece became an emblem of the 1970s for concentrating the spectator attention on far away rooftops. The 2011 dance in the...

    Roof Piece on the High Line
  • 1977
    The Camera: Je or La Caméra: I

    The Camera: Je or La Caméra: I

    The Camera: Je or La Caméra: I

    01977HD

    A subjective account of the act of making still photographs.

    The Camera: Je or La Caméra: I
  • 1973
    Surprise Attack

    Surprise Attack

    Surprise Attack

    01973HD

    A pair of one person's hands toss a block of lead back and forth.

    Surprise Attack
  • 1976
    (Now) or Maintenant Entre Parenthèses

    (Now) or Maintenant Entre Parenthèses

    (Now) or Maintenant Entre Parenthèses

    01976HD

    With Linda Patton and James Barth Silent, (24 frames per second) A linear succession of activities/manipulations of objects. Film = Now Projected...

    (Now) or Maintenant Entre Parenthèses
  • 1979
    There? Where?

    There? Where?

    There? Where?

    01979HD

    A naive look at Southern California by an outsider, and/or an essay on displacement through the disjunction of Californian images and off screen...

    There? Where?