Malcolm Le Grice Movies

Le déjeuner sur l’herbe is simultaneously perceived from four different camera positions in a work which engages with the pro-filmic in...

Malcolm Le Grice - 3D.

"Like all the works I have done which refer directly to another artist, After Lumière… is not directly 'about' the Lumière...

Rocky, granite outcrops, a derelict quarry-worker and Dartmoor prison.

Illuminated by two blank screens projected from empty slides, four performers read texts drawn from the history of cinema – a dictionary of...

From the earliest point when I started to make film one of the biggest influence on my way of thinking came from Franz Kafka. In particular the...

In October 2009 I did a show in Prague. I returned to the Kafka house of my ‘Benefit of Mr K’ but found the whole street and Castle area...

[Originally] six virtual screens matted into three Blu-ray projections. First exhibited at the Centre Multimedia Gantner in 2011, then on an...

Every cheap visual effect in the editing package and a sound track made with free software from a corn-flakes packet.

A digital manipulation exploiting the transcoding ‘mosaic’ of video shot on a train journey from Berlin to southern Germany with Mark...

Osama Bin Laden – Britain and the USA in Iraq as through television reportage – camera only inches from the screen

Directed by Malcolm le Grice.

Originally shot as part of Finnegan’s Chin, this sequence is re-edited as a portrait of performer Jack Murray. It continues the fascination of...

A single performance made at the National Film Theatre against a blank screen – the performer twice leaves the stage on one side, exits the...

Emily - Third Party Speculation is the second of a ‘domestic trilogy’ exploring the relationship between the restricted camera viewpoint...

A brilliantly constructed, melancholic ode to the passing of time by Malcolm Le Grice.

A video work based on video8 and hi8 material shot over six years. Chronos is the Titian – the time god who rules the universe – the flux...

"My experience of Monet’s large-scale panoramic paintings of his water lily garden when I was about 14 years old became a crucial artistic...

A double projection of images of lapping water and the Battersea Power Station all transformed by negative positive superimposition creating a moving...

Self Portrait looks for an approach to a specific relationship between the duration of a work and material conditions in the projection as did...