Movies

Outtakes from the movie

The banner of the Cannes Festival shows its three premises: glory, money and politics. If you film the banal, the naive and the superficial of the...

The tetralogy pieces are dominated by the concept and presence of death, foreclosure, fetal vertigo. As such, CRISTAUX is a real descent into an...

Winter 1978-1979: In his signature style, Hernández films hearty meals, long afternoons and candlelit dalliances inside his residence on rue...

Outtakes from the movie

The desert, the sea, someone. I meet Michel Nedjar; together we went to the south of Morocco. There, a movie begins to take shape and develops as our...

A brief tribute to those that have haunted a moment of film history, stars of yesterday: Garbo, Del Rio, Crawford, Marlene Dietrich, Lupe Velez,...

Teo Hernandez films waste and scrap found on the pavements of the streets of Paris. “Sidewalks are great subjects: garbage, objects and...

Outtakes from the movie

Images of the filming process of Bernardo Montet on a beach.

"ANGLE, with its brief black and white shots, almost always plunging and oblique, of naked bodies or parts of bodies, is a film of rupture....

The film Graal goes (as well as all the films which precede it) toward an open and avowed paganism, in which pagan force and magic imbue all the...

Outtakes from the movie

The song composed by the author modulates the phases of the film and constitutes, in its entirety, the specific form of a call.

Exploration of bodies. Point, counterpoint. A black glove goes in search of a red glove.

Touching testimony of Teo Hernandez's return to his country after fifteen years of exile.

Short film by Teo Hernández that serves as a travelogue of a visit to Granada.

The outcome of Hernández’ friendship with the dancer and choreographer Bernardo Montet, this work, ranging from black-and-white to...